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Core Roles
| Function | Role | Typical chords in C | Practical focus | |
|---|---|---|---|---|
| Tonic | Resolution point | C, Am, Em | Emphasize 1–3–5 | |
| Subdominant | Prepare motion | F, Dm | Outline 4ths/2nds | |
| Dominant | Drive to tonic | G, Bdim | Target 3→1, 7→1 |
Treat every chord symbol as one of these roles before deciding what to play.
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Rule-of-Thumb Flow
- Standard path: Subdominant → Dominant → Tonic.
- Staying in one box reduces movement; switch families when you want progression.
- Modal vamps keep looping inside the Subdominant box until a Dominant gesture signals release.
Use the diagram as a quick check when analyzing or writing progressions.
Relating D Dorian
- Same pitch set as C major; Dm acts as Tonic.
- Functional view from D perspective:
| Function | Chords | Notes |
|---|---|---|
| Tonic | Dm | Home base of the mode |
| Subdominant | G, Em | Share tones that move away from D |
| Dominant | A (often with C) | Contains C, the leading tone back to D |
This labeling keeps modal fingerings and harmonic pull aligned.
Practice Checklist
- Annotate progressions with T/S/D labels before playing.
- Build a Dm–G–A–Dm vamp and highlight guide tones for each role.
- Record short bass etudes and verify that the functional arc (depart–tension–resolve) is audible.
Back Matter
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